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ACT I: The Trumpet of the Swan, adapted by Marsha Norman from the novel by E.B. White. Music by Jason Robert Brown.
15 Minute Intermission
ACT II: Solo cabaret performance with Jason Robert Brown, followed by a performance from the Roosevelt Orchestra composed and conducted by Jason Robert Brown!
Proceeds from this special event support free k-8 student tickets to our outreach matinee performance as well as funding for yellow buses to so that students and their schools may attend at no cost. Proceeds also cover production costs unique to this show, including the professional set of puppets we will use in a future remounting of the show!
E.B. White’s classic novel is now a brilliant symphonic concert experience for the whole family. The Trumpet of the Swan, like all of White’s novels, concerns a youngster who must overcome a problem. In Louis’s case, he is a trumpeter swan born without a voice; he cannot make the magnificent “ko-hoh” that all trumpeter swans use to find mates, ward off foxes and rule the lake. On an epic journey of challenge and discovery, Louis finds the gift of music through his father’s heartbreaking and heroic love. Louis vows to pay back a debt his father incurred to get Louis a trumpet, an instrument that gave his son a voice, a purpose and eventually, the love of his life.
JASON ROBERT BROWN is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of his generation, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score.
JASON ROBERT BROWN has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. The New York Times refers to Jason as “a leading member of a new generation of composers who embody high hopes for the American musical.” Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, directed by Bartlett Sher and starring Kelli O’Hara and Steven Pasquale, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. A film version of his epochal Off-Broadway musical “The Last Five Years” was released in 2015, starring Anna Kendrick and Jeremy Jordan and directed by Richard LaGravenese. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which began its life in Los Angeles in 2007 and opened on Broadway in 2008 (and was subsequently directed by the composer for its West End premiere in 2012); “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics (and was subsequently directed by the composer in its record-breaking Off-Broadway run at Second Stage Theatre in 2013); “Parade,” written with Alfred Uhry and directed by Harold Prince, which premiered at Lincoln Center Theatre in 1998, and subsequently won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world, including a celebrated revival at New York’s City Center in the summer of 2018. “Parade” was also the subject of a major revival directed by Rob Ashford, first at London’s Donmar Warehouse and then at the Mark Taper Forum in Los Angeles. His orchestral adaptation of E.B. White’s novel “The Trumpet of the Swan” premiered at the Kennedy Center with John Lithgow and the National Symphony Orchestra, and was recorded for PS Classics. Future projects include a new chamber musical created with Daisy Prince and Jonathan Marc Sherman called “The Connector”; an adaptation of Lilian Lee’s “Farewell My Concubine”, created with Kenneth Lin and Moisés Kaufman; and a collaboration with Billy Crystal, Amanda Green, Lowell Ganz and Babaloo Mandel on a musical of “Mr. Saturday Night”. Jason is the winner of the 2018 Louis Auchincloss Prize, the 2002 Kleban Award for Outstanding Lyrics and the 1996 Gilman & Gonzalez-Falla Foundation Award for Musical Theatre. Jason’s songs, including the cabaret standard “Stars and the Moon,” have been performed and recorded by Ariana Grande, Audra McDonald, Kristin Chenoweth, Billy Porter, Betty Buckley, Renée Fleming, Jon Hendricks and many others, and his song “Someone To Fall Back On” was featured in the Walden Media film, “Bandslam.”
As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed concerts around the world. For the past four years (and ongoing), his monthly sold-out performances at New York’s SubCulture have featured many of the music and theater world’s most extraordinary performers. His newest collection, “How We React and How We Recover”, was released in June 2018 on Ghostlight Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of Amazon.com’s best of 2005, and is available from Sh-K-Boom Records. A concert film featuring Anika Noni Rose was broadcast on PBS. His collaboration with singer Lauren Kennedy, “Songs of Jason Robert Brown”, is available on PS Classics. Jason’s piano sonata, “Mr. Broadway” was commissioned and premiered by Anthony De Mare at Carnegie Hall. Jason is also the composer of the incidental music for the Broadway revival of “You Can’t Take It With You,” David Lindsay-Abaire’s “Kimberly Akimbo” and “Fuddy Meers,” and Kenneth Lonergan’s “The Waverly Gallery,” and he was a Tony Award nominee for his contributions to the score of “Urban Cowboy the Musical.” He has also contributed music to the hit Nickelodeon television series, “The Wonder Pets” as well as “Sesame Street.” Jason spent ten years teaching at the USC School of Dramatic Arts, and has also taught at Harvard University, Princeton University and Emerson College.
For the new musical “Prince of Broadway,” a celebration of the career of Harold Prince, Jason was the musical supervisor and arranger. Other New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; “Dinah Was,” off-Broadway and on national tour; “When Pigs Fly” off-Broadway; William Finn’s “A New Brain” at Lincoln Center Theater; the 1992 tribute to Stephen Sondheim at Carnegie Hall (recorded by RCA Victor); Yoko Ono’s “New York Rock,” at the WPA Theatre; and Michael John LaChiusa’s “The Petrified Prince” at the Public Theatre. Jason orchestrated Andrew Lippa’s “john and jen,” Off-Broadway at Lamb’s Theatre. Additionally, Jason served as the orchestrator and arranger of Charles Strouse and Lee Adams’s score for a proposed musical of “Star Wars.” Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, and Michael Feinstein, among many others.
Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner. He lives with his wife, composer Georgia Stitt, and their daughters in New York City. Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802. Visit him on the web at www.jasonrobertbrown.com.
From I-5 North: Take exit 170 toward Ravenna Blvd. and continue north on 8th Avenue. Turn Right on 65th St. and left on 12th Avenue. The parking lot on your right, just past the play field.
From I-5 South: Take exit 171 toward NE 71st Street/NE 65th Street and continue south onto 6th Avenue. Turn left onto 71st St and continue onto 70th St. Turn right onto Roosevelt Way. Turn left onto 65th St. Turn left onto 12th Avenue. The parking lot on your right.
From the main parking lot. enter through the Commons doors and the Theater is straight ahead.
RHS Theatre Etiquette:
This is live theatre so actors need you to engage with them! Laugh, cry, and respond audibly--but please don't distract or thwart their performance with unrelated conversation.
Please POWER DOWN all cell phones and electronic devices as their signals interfere with our sound system, their screens disturb other patrons, and their notification sounds distract the performers and audience.
Snacks and beverages are available for sale in the commons before and between shows. Please enjoy before entering the theater--it keeps our space clean and minimizes distractions to the actors and audience during the show.